Traduction et analyse de mots par intelligence artificielle ChatGPT
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put all one"s goods in the shopwindow - traduction vers Anglais
![Critics have noted parallels with [[Richard Wagner]]'s ''[[Der Ring des Nibelungen]]'', as seen here in [[Josef Hoffman]]'s 1876 set design for ''[[Das Rheingold]]'', though they disagree on its influence on Tolkien.](https://commons.wikimedia.org/wiki/Special:FilePath/Bühnenbildentwurf Rheingold (detail).JPG?width=200 "Critics have noted parallels with [[Richard Wagner]]'s ''[[Der Ring des Nibelungen]]'', as seen here in [[Josef Hoffman]]'s 1876 set design for ''[[Das Rheingold]]'', though they disagree on its influence on Tolkien.")
![magic ring]], setting up a [[moral dilemma]]. [[Ferrara]], 16th century](https://commons.wikimedia.org/wiki/Special:FilePath/Der Ring des Gyges (Ferrara 16 Jh).jpg?width=200 "magic ring]], setting up a [[moral dilemma]]. [[Ferrara]], 16th century")
![smith]] who forged [[Rings of Power]].<ref name="Anger 2013"/>](https://commons.wikimedia.org/wiki/Special:FilePath/Roman Temple - geograph.org.uk - 1318760.jpg?width=200 "smith]] who forged [[Rings of Power]].<ref name=\"Anger 2013\"/>")
![Diagram of [[Brian Rosebury]]'s analysis of ''[[The Lord of the Rings]]'', as a combined Quest (to destroy the Ring) and Journey (as a series of Tableaux of places in [[Middle-earth]]); the two support each other, and must interlock tightly to do so<ref name="Rosebury 2003"/>](https://commons.wikimedia.org/wiki/Special:FilePath/Rosebury's analysis of Lord of the Rings.svg?width=200 "Diagram of [[Brian Rosebury]]'s analysis of ''[[The Lord of the Rings]]'', as a combined Quest (to destroy the Ring) and Journey (as a series of Tableaux of places in [[Middle-earth]]); the two support each other, and must interlock tightly to do so<ref name=\"Rosebury 2003\"/>")
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"All in One Day" is the final single from Ultravox's 1986 album, U-Vox, released on 8 June 1987. It was the last Ultravox release during their most popular 1980's incarnation with Midge Ure (until 2012). The song was written as a tribute to the Live Aid event and the orchestra was arranged and conducted by George Martin.
It is one of Ultravox's lowest-charting singles, stalling at No. 88 in the UK charts.
Ure said about the track in 1986: "We asked George Martin to arrange an orchestra for it. Billy did some stuff on it, but the rest of us just sat back and watched the orchestra play, which was quite nice, watching someone else perform it for you."
